31 Jan 2024

Tech8 Breakdown Cover Brings Peace of Mind

 

With so many manufacturers’ warranty programmes and third-party options containing disclaimers, limitations and strict conditions, Tech8’s breakdown cover and preventative maintenance schemes have now been extended to cater for more printer and ink combinations, thus bringing peace of mind to users. The only precondition is that the machine must be a working model and fully operational.

Tech8’s warranty schemes extend beyond printers and also include pre-press equipment and finishing systems. Protection is all-inclusive and fully comprehensive with rapid response times and no hidden costs.

Users of wide-format printers can now rest assured that their equipment which is outside the manufacturer’s warranty terms can now benefit from a highly skilled independent team of specialists. Others are moving to Tech8 simply because the benefits offered are more comprehensive and even include accidental damage plus outside influences such as electricity fluctuations.

Cover for equipment starts from as little as £1.60/day and payment can be made in monthly instalments. Unlike other schemes, there is no limit to the number of claims and all parts, labour and travelling charges are included.

Contacting Tech8 is easy and carried out by registering on-line at www.tech8.eu. Acceptance of printers doesn’t necessarily require a site visit, with customers being given a test file to download, print and return. If the results meet the criteria required, immediate cover is available whilst a site visit can be carried out where a unit needs pre-contract repairs.

All Tech8’s engineers and technicians are fully trained and experienced, and support packages offered by the company include telephone and online help. Around 30 percent of commonly reported problems can be remedied this way, saving time and lost jobs by helping users instantly without the need for a call-out.

Full information on Tech8’s services and further details on pricing is available at www.tech8.eu. More specific queries can be handled by telephone on 0845 8739707.

 

Epson Discount Selected Stylus Pro Large Format Printers

 

Existing Epson Stylus Pro owners can enjoy discounts of up to £900 when purchasing selected models from the Stylus Pro range of large format inkjet printers. This offer has been extended until the end of March this year.

There are several models included in the discount and all satisfy the highest requirements of the proofing, photographic and fine art reproduction markets, with a wider colour gamut for vivid, long-lasting results at a maximum resolution of 2880 x 1440 dpi. The printers can process a wide choice of media from fine art paper to adhesives.

The models are:

 

  • Stylus Pro 9900/S A B0/44” printer with 10-colour Ultrachrome HDR inkset and Micro Piezo TFP print head for ultra high speed. A discount of £900 is available.
  • Stylus Pro 9880  An A0+/44” printer with 8-colour Ultrachrome K3 inkset and Micro Piezo print head. A discount of £900 is available.
  • Stylus Pro 7900/S An A1+/24” printer with 10-colour Ultrachrome HDR inkset and Micro Piezo TFP print head for ultra high speed. A discount of £400 is available.
  • Stylus Pro 7880 An A1+/24” printer with 8-colour Ultrachrome K3 inkset and Micro Piezo print head. A discount of £400 is available.

 

For more details and to apply for your discount, please contact your Epson reseller or visit www.epson.co.uk/loyalty

Qualifying printers: Stylus Colour 3000, 1520. Stylus Photo 2000, 2010, R2400. Stylus Pro 3800, 5000, 5500, 4000, 4400, 4800, 7000, 7400, 7500, 7600, 7800, 7880, 9000, 9400, 9500, 9600, 9800, 9880, 10000, 10000CF, 10600. Proof of purchase required.

 

 

 

Buy Back Scheme offers Epson Business Customers a Hassle-Free Route to Refresh Old Equipment


Epson announces a simple and cost-effective buy back scheme which is an easy way for business customers to refresh and update old equipment, no matter what brand or model they are currently using.

The scheme provides a complete service, from de-installation of out-dated technology to the installation of new Epson models. The service offers an environmentally friendly option for removal of old equipment, with Epson taking responsibility for recycling in accordance with WEEE regulations.

Customers taking advantage of the buy back scheme will find it competitively priced, so whether they want to replace their printer fleet or upgrade to the latest in projection technology, the fully integrated solution ensures minimum effort for maximum return.

This offer applies to all Epson equipment, from laser printers to scanners to dot matrix printers. The buy back price is based on the condition, age and model of the product. For more information contact your Epson reseller.

Spandex add Epson Stylus Pro GS6000 to Hardware Portfolio

 


Wide format printing solution delivers new levels of colour quality and durability to high-end signage market

Spandex has once again increased the revenue-making opportunities for its customers, having added the Epson Stylus Pro GS6000 large format digital inkjet printer to its growing hardware portfolio. Thanks to a new 8-colour ink set, the GS6000 offers the widest colour gamut to date and enables print businesses to produce superb long-lasting durable prints and photo-realistic colours across an increased range of both indoor and outdoor graphic applications.

 

Superior quality and performance

Importantly, the Epson Stylus Pro GS6000 delivers the quality and performance required to meet ever-increasing customer expectations. Users benefit from 160cm-width printing and up to 1440x1440 dpi resolution with the finest ink droplet size of 3.7 picolitres. At the same time, turnaround times are significantly reduced, thanks to print speeds up to 25.2m2/hr using Epson’s variable-sized ink droplet and MicroWeave half-toning technologies. These attributes combine to deliver fast-drying, scratch-resistant prints that are water and UV resistant for up to 1.5 years without lamination.

“With its ability to produce images that dry faster, look better and last longer, the Epson GS6000 sets new standards in wide format printing”, says Jim Rich, Director, Product Management at Spandex. “In what remains a difficult time for print business owners, the GS6000 allows our customers to increase their service capability and offer a greater means of reaping the rewards that come from undertaking high-end sign and graphics projects.”

 

Increased business opportunities

Using the new 8-colour UltraChrome™ GS ink set, which is available in efficient 950 ml cartridges, the GS6000 allows printers to extend their creativity and service offering with unrivalled colours into high-end applications including airport and exhibition graphics, signage, and photo or fine art reproduction. In addition, the ability to switch easily between a range of different substrates makes the GS6000 a versatile production solution for printing stunning, durable graphics in an array of commercial applications.

 

Environmentally- and user-friendly

The Epson GS6000 also offers increased environmental friendliness, via its eco-solvent UltraChrome™ GS ink. As these inks do not emit harmful VOCs, only light ventilation is required and the extra expense of installing additional air purification systems is avoided. As well as an improved working environment, operators also benefit from a large and easy-to-use LCD panel incorporating Epson’s renowned interface, ensuring minimal training time. Support for heavy rolls up to 30kg and an auto-take-up-reel enable versatile media management and standard Giga-Ethernet and USB2.0 allow high-speed connectivity.

 

 

HP Latex Printers used to Tell Story of Creativity in Hardship


Life-Size Replicas of Rooms in Slum Areas Tell of Creativity in Hardship

Challenge

  • Mount an exhibition of Bendiksen's photographs, conveying the need to engage with slum communities, who are creative and resourceful in hard conditions

 

Solutions

  • HP Designjet L65500 and L25500 Printers were used to print the detailed interior walls of rooms and the urban landscape shots on the exterior walls. Both printers use water-based HP Latex Inks, reducing the impact of printing on the environment, and produce prints for both indoor and outdoor use
  • HP Durable Frontlit Scrim Banner for high-quality, durable prints that can travel to multiple venues
  • The exhibition catalogues were printed on an HP Indigo press 5000, chosen for its vibrant colours, sharp text, and on-demand printing capabilities, eliminating waste caused by printing too many copies

 

Results

  • A walk-in installation with such life-size detail and powerful testimonial that viewers are transported into the living rooms of the slums and get a realistic insight into the daily life of the people residing there
  • A modular exhibition easily transportable and adaptable to different venues of varied sizes and weather conditions

 

Magnum photojournalist Jonas Bendiksen's exhibition, The Places We Live, contains beautiful photographs with rich, saturated colours on high quality prints. But are the photographs not too beautiful to convey to viewers a feeling for the tough subject matter of the exhibition-the reality of living in four of the most poverty-stricken and most dangerous urban areas of the world? "What?!" reacts the photographer. "You don't think beauty exists in these places? What a lack of respect for people in the slums. They spend so much time creating beauty, just as people in the western world spend time beautifying their houses; why can't we show that in the slums?"

The Places We Live exhibition follows publication of the photographer's book of the same name and recreates the living rooms of 20 families from the slums of Jakarta, Mumbai, Nairobi, and Caracas. By taking a photograph of each of the four walls of a room inside people's homes and using the resulting large-format prints to build 3-D, life-size replicas of the rooms, Bendiksen creates for viewers a virtual experience of visiting the families.

More people in the world now live in cities than in rural areas, and more than one billion-a third of all urban dwellers-live in slums. The United Nations forecasts this figure to double within the next twenty-five years. Bendiksen's book and exhibition serve to create a platform for discourse.

"There is a message," he says, "about the need to engage with these communities as populated by normal human beings who have their own ambitions and agendas and their own variations amongst themselves."

When he started out on the project, Bendiksen was conscious of the fact that so many photographers had already gone out and photographed poverty and poor people. "So much of the material was predictable, clichéd, and full of stereotypes," he says. "I wanted to get away from that and to focus not on the extremities in the slums-the worst poverty, crime, or pollution-but on how people create normalcy in their daily lives in these conditions."

He spent three years photographing The Places We Live and was moved by what he saw. "I was constantly filled with admiration for the people," he says. "They live under very challenging circumstances in terms of crime and pollution, they get no services from the municipality, and everything they have, they build for themselves. People create jobs for themselves, if there's no school they make the school, if there's no child care they make it. They piece together any type of service they need."

The exhibition includes testimonials by the inhabitants, recounting daily life and presenting experiences ranging from hardship and despair, to successes, hard work, and ambition. "I look at the photographs as vehicles for people's stories to be told," says Bendiksen. "The personal testimonials by the slum dwellers are the driving engine of the project. The book and exhibition are really about the stories they are telling."

The Magnum group is part of HP's Experts and Mentors program, and on the visual side HP is lending a hand to make the viewer's experience as real as possible, providing Bendiksen with the necessary durable printing materials and access to the latest large-format printing technology in order to achieve the required high-quality photographic detail on the walls of the rooms as well as in the exhibition's accompanying catalogue. "It's important that the prints are as vivid as possible, as detailed as possible," says the photographer, "because we're essentially printing life-size walls. We really want people to enter these rooms and feel like they are virtually visiting the families."

The exhibition is modular in nature, and light weight for transport between venues. The system for joining rooms together is designed so that they can stand in a wide range of different layouts. Thanks to the durability of the HP printing substrates and the resilience of the HP Latex Inks to adverse conditions, the exhibition may be displayed in a variety of venues. "I've always thought it would be interesting if I could bring this work to the regions where it was shot," says Bendiksen, "to bring it to Africa, to Kenya, to India, and not just have it exhibited in New York, Paris, and London. So that's part of what we're building here, an exhibition that can be built anywhere by anyone, withstand any weather. It could be outside or inside, in a public space, or in a school."

The photographer doesn't presume to try to change people's attitudes to poverty overnight. Instead, he sees journalism, including photojournalism, as cumulative. "I hope viewers will also read an article or another book that will help them,'" he says. "And all this together will enlighten people. I certainly hope that this project will be a part of that puzzle and help people question their stereotypes about poverty and who poor people are."

 

At a glance

Name: Jonas Bendiksen

Profession: Photojournalist

Began career: 1996

Represented by: Magnum Photos

Founded: 1947

Business address: Magnum Photos 151 West 25th Street New York, NY 10001-7204 USA

Telephone: (+1) 212 929 6000

Fax: (+1) 212 929 9325

Web sites: www.jonasbendiksen.com and www.magnumphotos.com

E-mail: mail@jonasbendiksen.com

Agfa Graphics and Shenzhen create Agfa Graphics Asia as joint venture

Agfa Graphics and Shenzhen Brothers announced today that they have signed an agreement under which they will combine their Greater China and ASEAN activities to create a joint venture.

Shenzhen Brothers started finishing and distribution activities of Agfa Graphics master roll graphic films in 2000. Over the years, Shenzhen Brothers has built up through this partnership, a leading and successful distribution network in the Chinese printing industry.

In recent years, Agfa Graphics has made important investments in both digital prepress and new industrial inkjet printing technology. Today, it disposes over a broad, innovative and competitive product portfolio. Agfa Graphics has its own subsidiaries in the Greater China and ASEAN region and a state-of-the-art printing plate factory in Wuxi, China. Agfa Graphics has also built up important market positions throughout the ASEAN region.

The joint venture, named Agfa Graphics Asia, will be able to fully draw on the infrastructure, technology, manufacturing and distribution strength of its founding companies. It will also continue to have full access to the Agfa Graphics world class technology.

In its first full year of operations, the new company is expected to achieve sales of 200 million Euro. Agfa Graphics will be the majority shareholder with a stake of 51%. Shenzhen Brothers will own 49% of the company. Chairman of the Board will be Mr. Stefaan Vanhooren, President of Agfa Graphics, while Mr. Huang, CEO of Shenzhen Brothers, will become the CEO of the new company.

"Agfa Graphics and Shenzhen Brothers have been loyal partners in the past ten years, successfully serving the graphics industry in China," says Stefaan Vanhooren. "This joint venture is an important vehicle in achieving our ambitious growth plans in Asia for digital prepress and industrial inkjet. Shenzhen Brothers' high reputation and strong relationship with local customers, suppliers and government are a major asset to build out a strong and profitable market position."

"Technological innovation and cost leadership will be key drivers for future growth and success," said Mr. Huang. "Agfa Graphics' strong technological position and know-how will allow us to increase our business in both Greater China and ASEAN markets. Its excellent manufacturing capabilities and infrastructure in China will be of great importance in realizing our efficiency targets."

The new company with operational headquarters in Shenzhen (Guangdong) is expected to go life no later than Q3 2010 subject to regulatory approval.